QUIET LAND

The death of an elderly farmer, found drowned behind the wheel of his pickup truck at the bottom of a Montana lake, appears to be a mundane road accident. Alcohol and old age are deemed the sole culprits, and the case is closed. All except for Connor, a seasoned police photographer in his early seventies working for the highway patrol. The case reminds him of another one, hastily dismissed as an accident.

Following a long-overdue medical evaluation he had avoided for months, Connor is forced out of the police force. Fearing that Maggy Jones, a woman in her seventies who owns land in the same area, may meet the same fate as the two farmers, Connor continues his investigation on her property, drawing her into his inquiry. Has he uncovered a criminal operation in this Quiet Land that goes beyond him, or is he slowly losing his grip on reality?

As this once infallible officer begins to doubt himself and his mind starts to falter, life offers him one last chance. Having both long renounced love, Connor and Maggy discover, at the twilight of their lives, that they can still love and be loved — that it is not yet too late.

Finally, Soledad, a young art curator deeply impressed by Connor’s accident photographs, is determined to bring the work of a lifetime into the light, even at the risk of reopening old wounds.